
1. Shades of Noir (SoN) – how I could use it in my practice?

We have been using Shades of Noir journals a lot this term on PgCert and I found lots of very interesting readings on a diverse range of subjects here. I often found myself reading more articles than we were asked to, and I believe this has already enriched my practice and me as a person too. I can see the change in how I evaluate the materials I use in teaching as well as in how I choose the books and e-books that I purchase for the library.
I want to start using SoN in my practice too. I want our students to learn from SoN content, to enrich their world views and find themselves represented in the readings they do for their research. SoN journals subjects cover such a wide range of topics that they can be useful on any course at the art college. I am planning to look through them and choose a few articles that would be especially of use to the courses I am supporting as a course librarian, and introduce them in my sessions.
I think it can be as simple as using an article from SoN when teaching about referencing – the title itself can trigger a further interest in students. I think the SoN would be also very useful in the creative writing and research sessions.
We are working on coming back to the series of events called Speakeasy that we used to run a few years ago at Wimbledon. The Speakeasy is a library event for students, staff and anyone else who is interested in talking about creative writing for performance and sharing their favourite pieces. We also welcome people to come along and just listen to the words spoken. I think it will present a perfect opportunity for me to bring and share SoN content and talk about our identities and positionality. .
2. Reading: Hahn Tapper. A.J. (2013) ‘A Pedagaogy of Social Justice Education: Social Identity, Theory, Intersectionality and Empowerment.’ Conflict Resolution Quarterly 30(4) DOI: 10.1002/crq.21072

Education
“Everyone, to one degree or another, is a member of a multitude of social groups that are shaped in relation to ethnicity, gender, nationality, religion, socioeconomic class, and other categories. “ (p.417-418)
Two things that I’ve learnt from the article:
- The article introduces social identity theory (SIT), as one more fitting than contact hypothesis to use when working with different and/or conflicted groups. It highlights the importance of larger social identities and intersectionality too. However, SIT approach poses a risk of reducing individuals to larger collectives. “When used in a rigid way, neither approach creates sustainable social change beyond, at best, an infinitesimal number of participants” (p.418)
- Deexceptionalizing students (staff) and the conflicts they are part of – a very interesting point that every conflict can be similar in many ways – “all groups, to various degrees, are victims and perpetrators, innocent and guilty. All of us play active and passive roles in the structures of oppression in which we live.” (p.422) Knowing this and using intersectional point of view help with re- evaluating and transforming ourselves and relationships with others (other groups).
Questions I have about this text:
How can I relate what I have learnt from the article of it to my practice as librarian? The reading definitely has raised my awareness of social justice education and its workings, and I can see a potential of evaluating my practice against the core pillars illustrated above.
3. Watching Witness: unconscious bias – Part of the UCU black members’ standing committee oral history project.
“ A little bit of consciousness might be very welcome..” Dr Josephine Kwhali
In this short video Dr Josephine Kwhali talks about how we should stop hiding behind the unconscious bias regarding racism in academia. I love the way the talk is delivered and use of humour to illustrate how ridiculous using unconscious bias as an explanation for racism in the universities can be (or is). This video made me question my whiteness further, especially when Dr Kwali says that she became conscious of race/ism when she was four. That highlighted my privilege of not having to think about my race almost at all for many many years of my life – whether when I lived in Poland or now when I live in the UK. It inspired me to look for more resources on whiteness and how it can be used in allyship. This influenced my choice of the next resource for this blog.
4. Illman, A. (2018) ‘Whiteness in higher education’, In: Peekaboo we see you: whiteness. (2018) London: Shades of Noir. pp. 40-47.

“The personal development and allyship of the ‘White Academic’ is, therefore the basis of which to productively challenge marginalisation within Higher Education. One such way to challenge the White foundation is through means of the curriculum in place and its development. (…) Challenging students to look beyond familiar eurocentric and white practitioners can broaden their understanding of their subject and in turn encourage change in institutional culture” (p.46)
In this article author explores how the White voice can be utilised for the purpose of challenging racial discrimination – in this case within education. It made me think about my race and how almost invisible it had been for me when growing up.
I can relate to many observations made by the author, having very similar positionality to him in terms of his race and class. Having not experienced a lot of marginalisation (regarding race) and growing up in very white, racially homogenic city in Poland, I also need to acknowledge my ignorance towards racism that People of Colour experience on a daily basis and push beyond my White bubble on many occasions . This can make me feel awkward or even uncomfortable. The author says that our fear can slow change and reminds us how important exploring the implications of Whiteness is in dispelling that fear. He encourages us to challenge our White perspective and use our voice in implementing change in education.
However, within the Critical Race Theory (CRT) there is a lot of conversations surrounding the “White Voice”. It can be a problematic force within education when presenting our own interpretations of the People of Colour experiences. It is crucial “that any change must be implemented through the Allyship and not independently of an intersectional community. This is to ensure that the White voice does not again gain more power, but acknowledges, raises up and implements the needs of the ‘othered'” (p. 43)
5. ‘Retention and attainment in the disciplines: Art and Design’ Finnigan and Richards, 2016.

Two things I learnt about:
- I was shocked to learn about an attainment gap of 33% between students from ethnically diverse backgrounds and white students within Art and Design. “31% of Black British Carribbean and Black British African students gain an upper degree in comparison to 64% of White students.” (p.4) I knew about issues with an attainment, however, I have never known how big this gap is. The report is from 2016 and I would like to learn if there is any change in the numbers,
- “Ethnic diversity among staff is important for both Black and White students, as it provides positive role models, as well as a range of perspectives that enrich learning and demonstrates an institution’s commitment to diversity. (…) With a greater diversity of staff comes more expansive creativity and genuine new opportunities opening up.” I consider this fragment of the report as one of the most important. Having diverse body of teachers is a great way to address issues with cultural capital, that affects so many students and staff withing Art and Design.
A question/provocation I have about the text:
“Therefore, it is important to build trust with the student group to ensure that the students will find their voice. The tutor’s role here is key.” I think it becomes more and more difficult with the growing numbers of students and less and less time we can spend with individual students.